This webpage contains information on references and possible references which Matilda Joslyn Gage used in her research. The names of authors and their works have come from only a few of her writings, all of which can be found on-line at the Matilda Joslyn Gage website. These works include:
On The Progress Of Education And Industrial Avocations For Women (1871, HTML at Gifts of Speech or here)
Seneca Falls, NY Women's Rights Convention (1879)
Preceding Causes from first volume of The History of Woman Suffrage (1881-1889)
Protest Against the Unjust Interpretation of the Constitution (1887)
The Matriarchate; or, Woman in the Past (1890)
"Dangers of the Hour" (1890)
Woman, Church, and State excerpts (1893); more excerpts (1893) (Modern reader edition edited by Sally Roesch Wagner, published 1998)
When I felt that I had enough information on the subject, I tried to take an educated guess as to what she was referring. For example, in "Preceding Causes" Gage writes about Mary Astell,
The reign of Queen Anne, called the Golden Age of English Literature, is especially noticeable on account of Mary Astell and Elizabeth Elstob. The latter, speaking nine languages, was most famous for her skill in the Saxon tongue. She also replied to current objections and to woman's learning. Mary Astell elaborated a plan for a Woman's College, which was favorably received by Queen Anne, and would have been carried out, but for the opposition of Bishop Burnett.
There are several purposes for this webpage
Gage's references seem to fall into a few very general categories:
Surprisingly, I have yet to uncover a source for her extensive knowledge of her feminist foremothers other than Sarah Josepha Hale's biographical dictionary Women's Record: Or, Sketches of All Distinguished Women from the Creation to A.D. 1854 [1855, reprinted 1970, Source Books Press, New York], which is dated to late to account for her extensive references to women of accomplishment at her Syracuse Women's Rights Convention Speech of 1852.
This page is a draft only. Eventually I would like to include a paragraph or two description for each book and extend the number of Gage's writings which were surveyed. If you have any contributions particularly references to other works that Gage made in other writings, please send them to me at sunshine@pinn.net
Before presenting Gage's bibliography, here are a few cyber tools that may be of general interest to women's historians and historians of Gage. I hope you will be as pleasantly surprised as I was at the number of books which Gage referenced that are in print, have recently gone out-of-print, and are available on-line, three indications of the quality of her sources.
General Cyber-libraries
Special Purpose Cyber-libraries
Other sites of interest
Notes, Symbols and Abbreviations
WCS = Woman, Church, and State
I didn't try to find information on books that seem to be perennially in print - The Bible, The Talmud, Milton's Paradise Lost, etc.
The nice yellow sun against the sky blue background informs us that the book is in Sunny's (Pat's) collection. Sometimes a letter will be included:
Booknotes files can be found on Sunny's web site at booknotes menu
"When any woman, old or young, asks the questions, Which among all modern books ought I to read first? the answer is plain. She should read Buckle's lecture before the Royal Institution upon "The I Influence of Woman on the Progress of Knowledge." It is one of two papers contained in a thin volume called Essays by Henry Thomas Buckle." As a means whereby a woman may become convinced that her sex has a place in the intellectual universe, this little essay is almost indispensable. Nothing else quite takes its place.". After reading Higginson's recommendation, I bought Essays and found it to be a disappointment. Buckle's History of Civilization has the 19th century angle-of-the-home, where she had ought to stay for her own protection, vision of women.
"Much has already been said and wrote in this adulatory strain: but Hilario da Costa, a monk, resolving to exceed all who had gone before him, published two quarto volumes, of eight hundred pages each; containing, according to his account, the panegyrics of all the women of the fifteenth and sixteenth centuries, who had distinguished themselves by any remarkable talents or virtues. But as if no valuable talent, nor any virtue could exist without the pale of the catholic church, the partial ecclesiastic passed in silence over every woman of other principles; and while he loudly praised the virtues of Mary queen [sic] of England, whose memory succeeding ages have held in contempt; of her sister, whom her country still remembers with gratitude, he made no mention. The eulogies of this monk amount to one hundred and seventy. But who, in this delusory world, can ensure to himself the summit of greatness or of fame? The voluminous labours of our monk were soon after greatly surpassed by Paul de Ribera, who was delivered of a monstrous work, which he called "The Triumphs and Heroic Enterprizes of Eight Hundred Women."
The seventeenth century gave birth to many essays and books of a like character, not confined to the laity, as several friars wrote upon the same subject. In 1696, Daniel De Foe wished to have an institute founded for the better education of young women. He said: "We reproach the sex every day for folly and impertinence, while I am confident had they the advantages of education equal to us, they would be guilty of less than ourselves." Alexander's History of Women, John Paul Ribera's work upon Women, the two huge quartos of De Costa upon the same subject, Count Segur's "Women: Their Condition and Influence," and many other works showed the drift of the new age.Perhaps Gage was repeating what she read in Alexander's History of Women about both Ribera and de Costa. I will nonetheless try to identify and to locate both works. Both works appear to celebrate womankind and should be a welcome addition to the Gage library.
According to King and Rabil, Jr in their Introduction for the series The Other Voice, "Boccaccio's antifeminism inspired a series of: works by Alvaro de Luna, Jacopo Filippo Foresti (1497), Brantome, Pierre Le Moyne, Pietro Paolo de Ribera (who listed 845 figures)." The series editors are probably referring to the same work Gage listed above. They give the author as Pietro Paolo de Ribera.
Even before leaving England in 1554 Foxe had begun the story of the persecutions of the Reformers. The result was the publication of a little Latin work dealing mainly with Wyclifism. While at Basle he was supplied by Grindal with reports of the persecution in England and in 1559 he published a large Latin folio of of 740 pages which began with Wyclif and ended with Cranmer. After his return to England he began to translate this book and to add to it the results of fresh information. The "Acts and Monuments" were finally published in l563 but came almost immediately to he known as the "Book of Martyrs". The critism which the work called forth led to the publication of a "corrected" edition in 1570. Two more (1576 and 1583) came out during his life and five (1596, 1610, 1632, 1641, 1684) within the next hundred years. There have been two modern editions, both unsatisfactory; they are in eight volumes and were published in 1837-41 and 1877. The size may be gathered from the fact that in the edition of 1684 it consists of three folio volumes of 895, 682, and 863 pages respectively. Each page has two columns and over eighty lines. The first volume besides introductory matter contains the story of early Christian persecutions, a sketch of medieval church history and an account of the Wyclifite movement in England and on the continent. The second volume deals with the reigns Henry VII and Edward VI and the third with that of Mary. A large number of official documents such as injunctions, articles of accusation, letters, etc., have been included. The book is illustrated throughout by woodcuts, some of them symbolizing the triumph of the Reformation, most of them depicting the sufferings of the martyrs.
The Convocation of the English Church ordered in 1571 that copies of the "Book of Martyrs" should be kept for public inspection in all cathedrals and in the houses of church dignitaries. The book was also exposed in many parish churches. The passionate intensity of the style, the vivid and picturesque dialogues made it very popular among Puritan and Low Church families down to the nineteenth century. Even in the fantastically partisan church history of the earlier portion of the book, with its grotesque stories of popes and monks and its motley succession of witnesses to the truth (including the Albigenses, Grosseteste, Dante, and Savonarola) was accepted among simple folk and must have contributed much to anti-Catholic prejudices in England. When Foxe treats of his own times his work is of greater value as it contains many documents and is but largely based on the reports of eyewitnesses; but he sometimes dishonesty mutilates his documents and is quite untrustworthy in his treatment of evidence. He was criticized in his own day by Catholics such as Harpsfield and Father Parsons and by practically all serious eccesiastical historians.
BIBLIOGRAPHY. The most careful examination of his methods is to be found in Maitland, Essays on the Reformation in England (1849), and in Gairdner, History of the English Church from the ascention of Henry VIII to the Death of Mary (1903); Lee in Dict. of Nat. Biog. Gerard, John Foxe and His Book of Martyrs (Catholic Truth Society, London), includes the opinions of a number of Foxe's critics.
F.F. URQUHART
Transcribed by Matthew Dean "
"It is well that we should look this matter in the face; and as particular stories leave more impression than general statements, I will mention one, perfectly well authenticated, which I take from the official report of the proceedings: -- Towards the end of 1593 there was trouble in the family of the Earl of Orkney. His brother lead a plot to murder him, and was said to have sought the help of a "notorious witch" called Alison Balfour. When Alison Balfour's life was looked into, no evidence could be found connecting her either with the particular offense or with witchcraft in general; but it was enough in these matters to be accused. She swore she was innocent; but her guilt was only held to be aggravated by perjury. She was tortured again and again. Her legs were put in the caschilaws, -- an iron frame which was gradually heated till it burned into the flesh, -- but no confession could be wrung from her. The caschilaws failed utterly, and something else had to be tried. She had a husband, a son, and a daughter, a child seven years old. As her own sufferings did not work upon her, she might be touched, perhaps, by the sufferings of those who were dear to her. They were brought into court, and placed at her side; and the husband first was placed in the "lang irons" -- some accursed instrument; I know not what. Still the devil did not yield. She bore this; and her son was next operated on. The boy's legs were set in "the boot," -- the iron boot you may have heard of. The wedges were driven in, which, when forced home, crushed the very bone and marrow. Fifty-seven mallet strokes were delivered upon the wedges. Yet this, too, failed. There was no confession yet. So, last of all, the little daughter was taken. There was a machine called the piniwinkies -- a kind of thumbscrew, which brought blood from under the finger-nails, with a pain successfully terrible. These things were applied to the poor child's hands, and the mother's constancy broke down, and she said she would admit to any thing they wished. She confessed to witchcraft, -- so tired, she would have confessed to the seven deadly sins, -- and then she was burned, recalling her confession, and with her last breath protesting her innocence." pp. 152-153Compare that with what Gage writes in WCE (pp. 150-151, Wagner edition) about the same event:
"Towards the end of the sixteenth century a woman accused of witchcraft endured the most intense torture, constantly asserting her innocence. Failing to secure confession, her husband, her son, and finally her young daughter of seven short years were tortured in her presence, the latter being subjected to a species of thumb-screw called "the pinniwinkies" which brought blood from under the finger nails with a pain terribly severe. When these were applied to the [baby's] hands, to spare her innocent child, the mother confessed herself a witch. But after enduring all the agonies of torture upon herself and all she was made to suffer in the persons of her innocent family – confession having been obtained through this diabolical means – she was still condemned to the flames, undergoing death at the stake, a blazing torch of fire, and died calling upon God for that mercy she could not find at the hands of Christian men." pp. 150 - 151Gage does give the entire account by Froude in a footnote in WCS.
"Giannone, Pietro
b. May 7, 1676, Ischitella, Naples [Italy]
d. March 17, 1748, Turin, Kingdom of Sardinia
Italian historian whose works opposed papal interference in Naples.
Giannone graduated in law (Naples, 1698), became interested in the "New Learning," and wrote the Istoria civile del regno di Napoli (1723; The Civil History of the Kingdom of Naples)--a polemical survey of Neapolitan history in which he espoused the side of the civil power in its conflicts with the Roman Catholic hierarchy. As a result of this, the Istoria was placed on the Index librorum prohibitorum (the papal register of prohibited books), and Giannone was excommunicated. In Vienna, where, until 1734, he received a pension from the Holy Roman emperor Charles VI, Giannone prepared his most important work, Il triregno, ossia del regno del cielo, della terra, e del papa, 3 vol. (The Triple Crown, or the Reign of Heaven, Earth, and the Pope). On the transfer of the Neapolitan crown to Charles of Bourbon, (the future Charles III of Spain), Giannone left Vienna for Venice. A suspicion that his views on maritime law were not favourable to the pretensions of the republic, together with clerical intrigues, caused him finally to seek refuge in Geneva (1735). But, while visiting a village in Piedmont, he was kidnapped by agents of the Sardinian government and imprisoned. He wrote his Autobiografia while incarcerated during the last 12 years of his life in the fortresses of Ceva and Turin. "
Probably a good book to read. I found an 1821 (possibly 1822) Italian edition at addall.com.
"The author is not surpassed. . . in intimate and accurate acquaintance with the whole field of Greek literature and antiquity; while none of his predecessors have approached to him in the amount of philosophy and general mental accomplishment which he has brought to bear upon the subject" J. S. Mill's review in the Edinburgh ReviewGrote's History of Greece still stands as one of the great works of Greek scholarship. Surpassing all previous studies, it was received with universal acclaim when first published in 1846-56. Translated into French and German, the History was one of the most influential factors in shaping the European conception of ancient Greece during the nineteenth century.
This is a complete reprint of the 10-volume 4th edition. Published posthumously in 1872, it is considered the best edition, containing a portrait, maps, and plans plus a note by Mrs. Harriet Grote. The History is written in an accessible style, with penetrating portraits of Greek political and philosophical thought that made the subject intelligible as never before.
I've run across a few books that I think Gage would have loved and I have listed them here.